There are many reasons for shooting Raw, high resolution motion... from the substantial image benefits that come with downsampling, shot stabilising and reframing options, the future proofing of rushes, the rich grading depth of 16 bit colour, the extended exposure latitude, the 'softer' rendering that added resolution affords and last but not least the camera's potential to generate stills from motion.
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Hair visionary Anthony Mascolo and director Michael Lindsay joined forces one again to create eXoChromatic for Infringe magazine. Working with performance artist and model Bre Lembitz the challenge was to produce both motion and stills for the magazine. This given the unrepeatability of the action. Shooting under heavy rain machines at 16oz Studio, the end result was striking in both mediums.
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The cold forbidding landscape of the Alaskan Wilderness provided the perfect setting for the dark tale of an American Serial Killer. Simultaneously beautiful and sinister, these silent frozen vistas were to play a central character in our story… and it was tremendously rewarding to photograph them with this dark narrative in mind.
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